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Glassland

The film tells the story of a poor Dublin taxi driver (Jack Reynor) who gets tangled up in the world of human trafficking to pay for his alcoholic mother's (Toni Collette) costly rehab at a private clinic.
Duration: 93 min
Quality: HD
Release: 2014
IMDb: 6.0
Keywords:  #Gerard Barrett #Glassland #Jack Reynor #Toni Collette #Will Poulter
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Critics Of "Glassland"
Globe and Mail
March 11, 2016
Glassland is a small film with an emotional punch that wallops above its weight class.
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Screen International
March 31, 2016
Glassland is impressive, although Barrett struggles to give this carefully crafted narrative a coherent resolution.
South China Morning Post
January 17, 2017
Glassland has a minimalist purity to it, and Barrett avoids manipulation and lets the images and characters speak for themselves.
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Variety
March 31, 2016
A downbeat serving of kitchen-sink social realism with the sink itself thrown in for good measure.
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Guardian
March 31, 2016
It earns its tears, even if it skimps out on everything else.
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Los Angeles Times
February 11, 2016
In the movie's best scene, as mother and son dance to an old pop song, the look on Reynor's face speaks volumes about loss and hope. It's a look that's going to be breaking hearts on screen for decades to come.
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The Young Folks
March 31, 2016
A harrowing Irish drama of a young man being torn apart by his mother's destructive alcoholism.
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RogerEbert.com
February 12, 2016
This is a hard, spare, tough movie, at times nearly jarring in its lack of adornment.
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New York Times
February 11, 2016
There's much in the movie to admire until it runs headlong into a stone wall.
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NOW Toronto
March 09, 2016
The dialogue is sparse, and a certain plot point is so vague as to be positively confusing. But the actors accomplish a lot with a hooded look, a weary sigh and a guilty sip of wine.
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Flavorwire
May 03, 2016
You've seen stories of substance abuse and its effects on a family, but rarely one as deeply unsentimental and candid as this one.
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New York Magazine/Vulture
March 31, 2016
Glassland smartly plays off Jean's unhinged disintegration against John's tense, subdued control. In that contrast lies the power of this film.
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