Cal (James Dean) and Aron (Richard Davalos) are the sons of a modestly successful farmer and wartime draft board chairman. Cal is moody and embittered by his belief that his father favors Aron. Although both Cal and Aron had long been led to believe that their mother had died 'and gone to heaven,' the opening scene reveals Cal has apparently learned that his mother is still alive, owning and running a successful brothel in nearby Monterey.
a reaction to our plutocracy's values and a further case for Dean as the sainted figure of rebellion that would fuel the generational schism of the '60s.
Fine James Dean vehicle, one of few that put him into immortality.
New York Times
May 20, 2003
In short, there is energy and intensity but little clarity and emotion in this film. It is like a great, green iceberg: mammoth and imposing but very cold.
Classic Film and Television
November 28, 2015
Rich historical detail and good visuals make interesting film.
John Steinbeck's painful biblical allegory -- Genesis replayed in Monterey, California, circa 1917 -- is more palatable on the screen, thanks to the down-to-earth performances of James Dean as Cal/Cain and Richard Davalos as Aron/Abel.